LEAVING UNAKA MOUNTAIN


The mountain remembers the seaís stroke and weight;
the rub of continents; intimate settlings of sand.
Even now she is just rising,
slow as I rise from a love-warm bed.


The mountain saves the scribble of the living:
claw-scuttle, flick of newt, snail-slick;
pollenís angled grain, spore-smoke,
the lichenís struggle and stain.
She is tucking them in, as in a linen press I weight
poem and flame azalea, tangling sheets with dreams.


The mountain keeps all castings:
arrowhead, axe, and cairn; shovel and hubcap.
All tunnelings: roads closed, adits collapsed,
small graves wearing her one stone. She carries them
as every inroad on my heart remains, vein of lost silver,
in the squeeze and jumble of the stiffening years.


Nothing is lost upon her.
Nothing is ever lost; only it draws deeper,
gathers density, grounding the future.
And yet already faint, the print of us:
a kingletís glittering, too high to hear.


Unaka, press us close.
In the blueberry thicket. On the ravenís stoop.
In the sky forest hung with a hush of cloud.

Kristin Camitta Zimet

About the poet: Kristin Camitta Zimet is the Editor of The Sow's Ear Poetry Review. Her first collection of poems, Take in My Arms the Dark, came out in 1999, and a great many of her poems have appeared in journals, including Crab Orchard Review, Lullwater Review, and Poet Lore. She works as a naturalist in the Shenandoah Valley of Virginia.